PSX_20210419_204255.jpg
Panopticon 5
Panopticon 5

Oil paint on wood panel.

14 1/4” x 14 1/4”

2020

Panopticon 4
Panopticon 4

Oil paint on wood panel.

14 1/4” x 14 1/4”

2020

Panopticon 3
Panopticon 3

Oil paint on wood panel.

14 1/4” x 14 1/4”

2020

Panopticon 2
Panopticon 2

Oil paint on wood panel.

14 1/4” x 14 1/4”

2020

Panopticon 1
Panopticon 1

Oil Paint on wood panel.

14 1/4” x 14 1/4”

2020

Madi in blue and red
Madi in blue and red

Oil paint on wood board.

6” x 5”

2019.

Untitled
Untitled

Oil paint on wood board

16 1/2” x 3 3/4”

2019.

Madi
Madi

Oil paint on wood board.

11” x 12”

2019.

Working hand
Working hand

Oil paint on wood board

7 1/2” x 18 1/2”

2019.

Skinny Boy
Skinny Boy

Oil paint on wood board.

5 1/2” x 12 1/2”

2019.

Portrait study in white 7
Portrait study in white 7

Oil paint on paper.

6” x 6”

2019.

Portrait study in white 6
Portrait study in white 6

Oil paint on paper.

6” x 6”

2019.

Portrait study in white 5
Portrait study in white 5

Oil paint on paper.

6” x 6”

2019.

Portrait study in white 4
Portrait study in white 4

Oil paint on paper.

6” x 6”

2019.

Portrait study in white 3
Portrait study in white 3

Oil paint on paper.

6” x 6”

2019.

Portrait study in white 2
Portrait study in white 2

Oil paint on paper.

6” x 6”

2019.

Portrait study in white
Portrait study in white

Oil paint on paper.

6" x 6”

2019.

Entrapped
Entrapped

Charcoal, Nails, on Canvas.

108” x 60”

2018.

My work throughout this journey focuses on the sensation of being mentally trapped within space. I am interested in the constraints imposed on people that sometimes cause them to feel trapped. These are circumstances of limited control which may stem from, but are not limited to: monetary commitments, geographic conditions, political and family obligations. The claustrophobic feeling of being trapped by these circumstances is brought on by depression and anxiety, of which I have observed in many individuals around me, as well as in myself. The collapsing borders of the canvas are meant to suggest a link between the external circumstances and the internal struggle that the mind faces.

The pose of the individual depicts their internal reaction to their surroundings; I attempt to describe this by using gestural line work and positioning the figure in a manner which represents the psychological aspects of aggression and passivity. Pressure points in the feet and hands are used to pronounce the figures conflict and mental unrest. Diluted acrylic washes are used to further describe both the motion of the figure as well as internal emotion. The canvas displays the tension of anxiety and the muddled feeling of depression as they enclose upon the subject. The figure seeks to emulate the different psychological transitions of those struggling with depression and anxiety, while they attempt to break free of their mental trappings.

Untitled_07 - Trapped
Untitled_07 - Trapped

Charcoal, India Ink, on Paper.

2018.

Trapped Triptych
Trapped Triptych

Charcoal, Nails, House Paint, on Canvas.

180” x 108”

2018.

This is the work from my Graduating BFA show at Bowling Green State University.

My work focuses on the sensation of being mentally trapped within space. I am interested in the constraints imposed on people that sometimes cause them to feel trapped. These are circumstances of limited control which may stem from, but are not limited to: monetary commitments, geographic conditions, political and family obligations. The claustrophobic feeling of being trapped by these circumstances is brought on by depression and anxiety, of which I have observed in many individuals around me, as well as in myself. The collapsing borders of the canvas are meant to suggest a link between the external circumstances and the internal struggle that the mind faces.

The pose of the individual depicts their internal reaction to their surroundings; I attempt to describe this by using gestural line work and positioning the figure in a manner which represents the psychological aspects of aggression and passivity. Pressure points in the feet and hands are used to pronounce the figures conflict and mental unrest. Diluted acrylic washes are used to further describe both the motion of the figure as well as internal emotion. The canvas displays the tension of anxiety and the muddled feeling of depression as they enclose upon the subject. The figure seeks to emulate the different psychological transitions of those struggling with depression and anxiety, while they attempt to break free of their mental trappings.

Untitled_06 - Trapped
Untitled_06 - Trapped

Charcoal, India Ink, on Paper.

28” x 42”

2018.

Untitled_05 - Trapped
Untitled_05 - Trapped

Charcoal, Ink, on Paper.

36” x 42”

2018.

Untitled_03 - Trapped
Untitled_03 - Trapped

Charcoal, Gesso, House Paint, Ink, Nails, on Canvas.

60” x 108”

2018.

Untitled_02 - Trapped
Untitled_02 - Trapped

Charcoal, House Paint, Ink, Nails, on Canvas.

60” x 108”

2018.

Trapped 1
Trapped 1

Oil Paint on Canvas.

108” x 60”

2017.

Persistence 1
Persistence 1

Oil on Cardboard.

28” x 36”

2016.

Part One of Two, Abstract Diptych.

Persistence 2
Persistence 2

Oil on Cardboard.

28” x 36”

2016.

Part Two of Two, Abstract Diptych.

PSX_20210419_204255.jpg
Panopticon 5
Panopticon 4
Panopticon 3
Panopticon 2
Panopticon 1
Madi in blue and red
Untitled
Madi
Working hand
Skinny Boy
Portrait study in white 7
Portrait study in white 6
Portrait study in white 5
Portrait study in white 4
Portrait study in white 3
Portrait study in white 2
Portrait study in white
Entrapped
Untitled_07 - Trapped
Trapped Triptych
Untitled_06 - Trapped
Untitled_05 - Trapped
Untitled_03 - Trapped
Untitled_02 - Trapped
Trapped 1
Persistence 1
Persistence 2
Panopticon 5

Oil paint on wood panel.

14 1/4” x 14 1/4”

2020

Panopticon 4

Oil paint on wood panel.

14 1/4” x 14 1/4”

2020

Panopticon 3

Oil paint on wood panel.

14 1/4” x 14 1/4”

2020

Panopticon 2

Oil paint on wood panel.

14 1/4” x 14 1/4”

2020

Panopticon 1

Oil Paint on wood panel.

14 1/4” x 14 1/4”

2020

Madi in blue and red

Oil paint on wood board.

6” x 5”

2019.

Untitled

Oil paint on wood board

16 1/2” x 3 3/4”

2019.

Madi

Oil paint on wood board.

11” x 12”

2019.

Working hand

Oil paint on wood board

7 1/2” x 18 1/2”

2019.

Skinny Boy

Oil paint on wood board.

5 1/2” x 12 1/2”

2019.

Portrait study in white 7

Oil paint on paper.

6” x 6”

2019.

Portrait study in white 6

Oil paint on paper.

6” x 6”

2019.

Portrait study in white 5

Oil paint on paper.

6” x 6”

2019.

Portrait study in white 4

Oil paint on paper.

6” x 6”

2019.

Portrait study in white 3

Oil paint on paper.

6” x 6”

2019.

Portrait study in white 2

Oil paint on paper.

6” x 6”

2019.

Portrait study in white

Oil paint on paper.

6" x 6”

2019.

Entrapped

Charcoal, Nails, on Canvas.

108” x 60”

2018.

My work throughout this journey focuses on the sensation of being mentally trapped within space. I am interested in the constraints imposed on people that sometimes cause them to feel trapped. These are circumstances of limited control which may stem from, but are not limited to: monetary commitments, geographic conditions, political and family obligations. The claustrophobic feeling of being trapped by these circumstances is brought on by depression and anxiety, of which I have observed in many individuals around me, as well as in myself. The collapsing borders of the canvas are meant to suggest a link between the external circumstances and the internal struggle that the mind faces.

The pose of the individual depicts their internal reaction to their surroundings; I attempt to describe this by using gestural line work and positioning the figure in a manner which represents the psychological aspects of aggression and passivity. Pressure points in the feet and hands are used to pronounce the figures conflict and mental unrest. Diluted acrylic washes are used to further describe both the motion of the figure as well as internal emotion. The canvas displays the tension of anxiety and the muddled feeling of depression as they enclose upon the subject. The figure seeks to emulate the different psychological transitions of those struggling with depression and anxiety, while they attempt to break free of their mental trappings.

Untitled_07 - Trapped

Charcoal, India Ink, on Paper.

2018.

Trapped Triptych

Charcoal, Nails, House Paint, on Canvas.

180” x 108”

2018.

This is the work from my Graduating BFA show at Bowling Green State University.

My work focuses on the sensation of being mentally trapped within space. I am interested in the constraints imposed on people that sometimes cause them to feel trapped. These are circumstances of limited control which may stem from, but are not limited to: monetary commitments, geographic conditions, political and family obligations. The claustrophobic feeling of being trapped by these circumstances is brought on by depression and anxiety, of which I have observed in many individuals around me, as well as in myself. The collapsing borders of the canvas are meant to suggest a link between the external circumstances and the internal struggle that the mind faces.

The pose of the individual depicts their internal reaction to their surroundings; I attempt to describe this by using gestural line work and positioning the figure in a manner which represents the psychological aspects of aggression and passivity. Pressure points in the feet and hands are used to pronounce the figures conflict and mental unrest. Diluted acrylic washes are used to further describe both the motion of the figure as well as internal emotion. The canvas displays the tension of anxiety and the muddled feeling of depression as they enclose upon the subject. The figure seeks to emulate the different psychological transitions of those struggling with depression and anxiety, while they attempt to break free of their mental trappings.

Untitled_06 - Trapped

Charcoal, India Ink, on Paper.

28” x 42”

2018.

Untitled_05 - Trapped

Charcoal, Ink, on Paper.

36” x 42”

2018.

Untitled_03 - Trapped

Charcoal, Gesso, House Paint, Ink, Nails, on Canvas.

60” x 108”

2018.

Untitled_02 - Trapped

Charcoal, House Paint, Ink, Nails, on Canvas.

60” x 108”

2018.

Trapped 1

Oil Paint on Canvas.

108” x 60”

2017.

Persistence 1

Oil on Cardboard.

28” x 36”

2016.

Part One of Two, Abstract Diptych.

Persistence 2

Oil on Cardboard.

28” x 36”

2016.

Part Two of Two, Abstract Diptych.

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